Character Counts - Revisions
www.PreciousHeart.net
We ready this first edition for
review. The story substantially uplifts a Christian Freemason and
seriously challenges the SBC anti-Mason documents along with David Barton,
John Ankerberg, and James Holly—with character counting as the hammer driving
the wedge of credibility between them.
Hopefully with a foreword from a notable Freemason, the following
edits will be in the next revision, most of which are simple style issues,
none of which affect cogency. I will be grateful for any
suggestions. One friend noted that I used "too" too many
times, and she was right, most of which will be culled in the second edition. E-mail me mgmaness@earthlink.net; I hope to incorporate these and any other
good suggestions early in 2007. Thanks
for the help to date, and I welcome more. Have great
day. Sincerely, Michael Glenn Maness |
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Page |
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From - blue deleted |
To Revision - blue added or changed |
1 |
vii |
7 |
In our faith, family, |
In our faith, our family, |
2 |
vii |
13 |
powerful source of our Founding
Fathers’ original intent |
powerful source for our Founding Fathers’ original intent |
3 |
vii |
b-1 |
when I saw that sloppy work |
when I saw how that sloppy work |
|
viii |
b-1 |
[Insert new text
section] |
Insert following text from file
00_Section_00_Preface_Insert, on page viii where marked, noting it is
centered: Special Thanks to Brian R. Dodson and Nelson King |
4 |
ix |
b-7 |
Epilogue:What a
Character [no space] |
Epilogue: What a Character |
|
3 |
13 |
have occulted that too. |
have occulted that. |
|
4 |
28 |
written anything really well documented, and |
written anything very well documented, and |
|
5 |
10 |
legions of legends too—for everyone |
legions of legends—for everyone |
|
5 |
b-1 |
and anti-Masons value |
and the anti-Masons
value |
|
9 |
20 |
were evangelical-look-alikes
and [remove hyphen] |
were evangelical look-alikes and |
|
9 |
b-11 |
trained at three of the most esteemed |
trained at three esteemed |
|
10 |
b-10 |
good character another person. |
good character of another person. |
|
11 |
b-8 |
see the cross-threading
of character counting totally ignored [remove hyphen – add words] |
see how the
cross threading of character counting is totally
ignored |
|
17 |
10 |
many Founding Fathers |
many of our
U.S. Founding Fathers |
|
17 |
b-12 |
how character counts to the uttermost |
how character counts to the uttermost |
|
18 |
6 |
Patterson—ask him too—for |
Patterson—ask him—for |
|
18 |
11 |
none of anti-Masons want |
none of the anti-Masons
want |
|
18 |
24 |
claim to be good too. |
claim to be good. |
|
18 |
29 |
value and touches
the spiritual too. |
value and infects the spiritual. |
|
18 |
b-4 |
of exaggeration or true wickedness. |
of exaggeration or of true wickedness. |
|
19 |
22 |
our Country’s
foundation too. |
our country’s
foundation. |
|
19 |
b-6 |
hammer of credibility. |
hammer that
drives the wedge of credibility. |
|
20 |
7 |
Patterson and Holly, too, that is |
Patterson and Holly that is |
|
21 |
14 |
hammer of credibility. |
hammer that
drives the wedge of credibility. |
|
23 |
2 |
So we lampoon too. |
So we lampoon them. |
|
24 |
13 |
divine intervention too, as Christians |
divine intervention, as Christians |
|
25 |
15 |
as character counted then too. |
as character counted then. |
|
25 |
16 |
SBC documents too. |
SBC documents. |
|
26 |
14 |
Patterson and me too—and |
Patterson and me—and |
|
27 |
22 |
pan of Paganism too, to make |
pan of Paganism in order to make |
|
29 |
6 |
Art deHoyos |
Art DeHoyos |
|
30 |
8 |
the anti-Masons too. |
the anti-Masons. |
|
30 |
19 |
what is to come and we build |
what is to come, and we build |
7 |
34 |
19 |
flat-toped age, as |
flat-topped age, as |
|
35 |
6 |
slapping Frankenstein too. |
slapping Frankenstein. |
|
35 |
18 |
ask on their
own accord first. |
ask on his own
accord first. |
|
35 |
19 |
wreaks havoc in
the |
wreaks havoc to
the |
|
35 |
b-3 |
The ten legions of legends count too. |
The ten legions of legends count. |
|
36 |
16 |
true of our Churches
too, but the Church also seeks |
true of our churches, but the church
also seeks |
8 |
37 |
9 |
decidedly 21st ethos |
decidedly 21st century ethos |
|
37 |
32 |
briefly at the church too. |
briefly at the church. |
|
37 |
b-1 |
Christ-like characters too. |
Christ-like characters. |
|
39 |
b-2 |
Bill Gordon too,
with just more pages, |
Bill Gordon, with more pages, |
9 |
41 |
9 |
member the BAR |
member of the BAR |
|
41 |
19 |
Republican Party too. |
Republican Party. |
10 |
50 |
12 |
sword that lay to rest |
sword that lays to rest |
|
52 |
6 |
1949's and early 1950's |
1940s and early 1950s |
|
52 |
37 |
calls out Satanic |
called out Satanic |
|
58 |
45 |
B. H. Carroll a Freemason |
B. H. Carroll was a Freemason |
|
60 |
5 |
That was obviously |
That was an obviously |
|
65 |
38 |
atFreemasonry expense. [no
space] |
at Freemasonry expense. |
|
70 |
b-10 |
[add new text
paragraph] |
Insert section below, including endnote
where marked in text on page 70, from file
00_Section_02_Mark_Twain_Pauper.htm on the disk, which says the following: Now Bill Gordon is not purely the
whipping boy as in The Prince and the Pauper by Mark Twain, one raised
with the prince and often a hireling, to be whipped instead of the prince for
the prince’s own mistakes, errors, and learning deficiencies or when the
prince is naughty—at least that we know of; rather our whipping boy is the
more modern usage akin to scapegoat, the one who carries the blame for
authorship on the authority of others higher than him in the court of
anti-Mason colleagues in the SBC, like Paige Patterson. Ironically, we used
as many sources here to define “whipping boy” as Gordon used to define
and refute Freemasonry—a whipping boy, indeed.[1] |
|
73 |
20 |
just begun beat up
Frankenstein. |
just begun to beat up Frankenstein. |
|
76 |
27 |
guarantee a big-game
kills. |
guarantee big-game kills. |
|
91 |
30 |
eye clinched closed and fingers
in ears. |
eyes clinched closed and fingers in his ears. |
|
96 |
45 |
religion-status-colored-glasses [extra hyphen] |
religion-status-colored glasses |
|
97 |
43 |
As deHoyos and |
As DeHoyos and |
|
98 |
42 |
Dave Hunt is another |
Dave Hunt's book is another |
|
100 |
33 |
Freemasonry would requires |
Freemasonry would require |
|
106 |
b-4 |
[Insert text where
marked] |
Insert section below where marked in text,
from file 00_Section_01.htm on the disk, which says the following: Ironically, the Closer Look at Freemasonry has lost its name,
has been reduced from a pdf file to a mere html article on Freemasonry on the
new SBC Apologetics web site, though currently identical to former Closer
Look. So we will continue to use Closer Look in our close look at
the official SBC document, and how it has morphed, even in title and
authorship notations. The Interfaith Witness Department became Interfaith Evangelism in 1996
when the Home Mission Board was renamed the North American Mission Board
(NAMB). In late 2004, it evolved into Apologetics and Interfaith Evangelism,
according to Jeannie Hope, with
most of its work reflected on its own web site, www.4truth.net. In an e-mail
dated 12-21-06, 10:21 AM, new Apologetics and Interfaith Manager Robert M.
Bowman responded with a recognition that “many
Baptists have been and still are Freemasons” and yet recalled that the 1993
SBC convention resolution elements were “not compatible” with Christianity,
and the eight non-compatible items are reflected in the their document—as
though that settled it—so my request to respond “would not be necessary or appropriate for us to post
an article supporting or defending Freemasonry.” I sent an advance copy of this book to Paige Patterson and Frank Page
(and David Barton) just before Christmas, 2006, and e-mailed chapters 3 and 4
to Bowman, inviting them to respond before February 28, 2006. Though Bill Gordon was the author of the Freemasonry articles and
though the originals had no author listed—and the Closer Look title
now removed—the articles remain the same today (January 2007)—only now the
authors are “NAMB Staff”—that is, the staff claiming credit, somehow,
still in secret. The same is true for the little Comparison
Chart—Freemasonry and Christian, an elementary exercise in prejudice now
accredited to “NAMB Staff”—an no one complains or is embarrassed. Gordon is
listed as the author of several articles, even on Wicca. Is “NAMB Staff” meant
to convey plural authorship? Did it take staff to reaffirm Bill
Gordon’s two sources? The staff did not change anything. Worse,
the staff have placed Freemasonry under the “New Religion” category at
4truth.net, without a hint of rationale, other than Gordon’s deceptive
insinuations. Sounds more like a staff infection, even a defection
from honor given the literature and lack of effort by the NAMB staff.
Such could even be construed as staff expectoration or defecation on
ten legions of legends, or just ignorant lackeyship. Let’s prove our case in
a closer look. |
|
107 |
13 |
David Barton (implied), & others. |
David Barton, & others. |
|
107 |
b-5 |
quite a list too,
I should think. |
quite a list, I should think. |
|
109 |
10 |
3rd grade elementary |
3rd-grade elementary |
|
109 |
17 |
3rd grade |
3rd-grade |
|
109 |
28 |
deeply and thoroughly shortly, after |
deeply and thoroughly, after |
|
111 |
22 |
Art deHoyos |
Art DeHoyos |
|
111 |
b-7 |
Art deHoyos |
Art DeHoyos |
|
125 |
b-5 |
dupe of Paganism too—yes, |
dupe of Paganism?—yes, |
|
127 |
5 |
has not secretive itself or their activities. |
has not been secretive about its purpose. |
|
128 |
4 |
authoritative as if his word |
authoritative seal as if his word |
|
128 |
22 |
status for many, Yet |
status for many. Yet |
|
131 |
8 |
Paige Patterson is man of |
Paige Patterson is a man of |
|
131 |
21 |
my smallness and even—a mere |
my smallness—a mere |
|
134 |
16 |
24 old bones at the start of this chapter. |
24 old bones in the latter part of this chapter. |
|
143 |
b-1 |
several organizations specifically, like |
several religious organizations , like |
|
145 |
4 |
Gordon change the sources |
Gordon changes the sources |
|
146 |
|
Insert new text with
endnote. |
[Insert following where marked, including endnote, from file Section_3_Pirate_Duck_Insert on disk] To beat all, there is a Pirate Rubber Duck going around the world, and
you can help the one-eyed little yellow fellow come by your place; he began
his little journey on July 5, 2005, from Palm Springs, California, and has
probably been followed closer than the SBC Closer Look.[2]
Quack. |
|
149 |
4 |
Bill Gordor's |
Bill Gordon's |
|
151 |
b-6 |
academia do find this kind of surgery, |
academia can one find this kind of surgery, |
|
155 |
9 |
spiritual doctrine taught. |
spiritual doctrine is taught. |
|
155 |
7 |
handed over, and give to the |
handed over, and given to the |
|
160 |
11 |
marriage and made a many significant |
marriage or made many significant |
|
160 |
b-13 |
Gordon has maintains many oaths |
Gordon maintains many oaths |
|
160 |
b-7 |
fire!—but I'll be he uses a SBC Visa |
fire!—but I'll bet he uses a SBC Visa |
|
160 |
b-4 |
Faith and Message to stay in employed |
Faith and Message stay in employed |
|
161 |
4 |
supports in his lives. |
supports in his life. |
|
161 |
6 |
in Bible anyway, and Gordon and
his supporters written nothing. |
in the Bible, and Gordon and others writte nothing. |
|
161 |
10 |
I shall quote this |
I shall quote the |
|
161 |
21 |
good wind could blow it away, to |
good wind could blow away, to |
|
161 |
b-12 |
Or look at any one of their
works. |
Or look at any one of their works? |
|
161 |
b-8 |
truth of character counting. |
truth of character counting? |
|
161 |
b-5 |
they drive Saturn automobile. |
they drive a Saturn automobile. |
|
161 |
b-3 |
past or present. |
past and present. |
|
164 |
b-4 |
Baptist Faith and Message |
Baptist Faith and
Message |
|
165 |
14 |
Universalist all the
anti-Masons use. |
Universalist most all of the anti-Masons use. |
|
165 |
18 |
are a requirements for the
Freemasons. |
are requirements for Freemasons. |
|
166 |
1 |
principle and values, like |
principles and values, like |
|
167 |
7 |
et al, then try to
impute racism |
et al, then tries to impute racism |
|
170 |
9 |
Then along some Bill Gordon |
Then along comes Bill Gordon |
|
171 |
12 |
held by its own backbone, but |
held up by its own backbone, but |
|
171 |
25 |
[Add new short
paragraph] |
Add new paragraph where marked: Remember, the formerly anonymous Closer
Look, that Bill Gordon wrote, is now credited to “NAMB Staff”—a real staff
infection that must be. |
|
173 |
6 |
gain and latch with |
gain and grab with |
|
173 |
9 |
linking it is Freemasonry, and |
linking it to Freemasonry, and |
|
174 |
15 |
Tastes better, too ... seriously. |
Tastes better, too. |
|
176 |
b-16 |
callously sacrificing all
Freemason Southern |
callously sacrifice all Freemason Southern |
|
176 |
b-14 |
dependent vastrly more upon |
dependent vastly more upon |
|
182 |
11 |
[insert sentence
where marked] |
[Insert
following paragraph where marked, including endnote, from file
Section_4_WalPole_Quote _Insert on disk] Horace Walpole’s (1717-1797) The Castle of Otranto, edited with intro and notes by Michael Gamer
London (NY:
Penguin, 2001) was first published in 1764 and is considered to be the first
book in the gothic genre with settings in the middle ages filled with fears
of supernatural happenings, and Mary Shelley’s Frankenstein appeared
in 1818—the Gothic literature has roots. |
|
182 |
14 |
Century.19 [insert sentence
where marked] There are
oodles |
Insert new sentence where marked as indicated below: Century.19
The
Real Dracula appeared in a History Channel exclusive on January 19,
2007, and they noted how Stoker’s Dracula had been published in fifty
languages—fifty. There
are oodles |
|
183 |
4 |
20th century |
21th century |
|
183 |
6 |
#170 |
#30 |
|
183 |
18 |
dangers in the wrong the places, look |
dangers in all of the wrong places, look |
|
185 |
19 |
what turns up at the top |
what turns up on the top |
|
187 |
12 |
eccentricities where never
truly |
eccentricities were never truly |
|
189 |
b-3 |
you should see Romania's |
you should see Romania's |
|
191 |
22 |
occult Christian adults with a clean |
occult Christian adults with clean |
|
193 |
b-15 |
uninterested in character
counts. |
uninterested in character counting. |
|
193 |
b-12 |
Insert section from file where marked in text on page 193
with endnote: |
Insert section from file named 00_Section_05_Vampire_Insert
where marked in text on page 193 with endnote: In a History Channel exclusive Decoding the
Past, airing on January 18, 2007, they investigated the Vampire culture,
where New York was dubbed by one Vampire as the “Rome of Vampires,” with over
50 covens and thousands. The Black Veil details an up-to-date code of
ethics for vampires, especially the “Psychic Vampire,” nicknamed Psy-Vamps;
this code prohibits the drinking of blood. No blood sucking? Talk about your
old school versus the new school. That new vein of Vampire takes psychic
energy from his or her host, but, also from the new code, only with
permission. That is, you can only take psychic energy from another with permission.
They love the big city, because of the energy and all. Michelle A. Belanger’s
The Psychic Vampire Codex: a Manual of Magick and Energy Work will
explain the rest. See Robert C. Welch’s Vampire Almanac (1995) and
Norine Dresser’s American Vampires: Fans, Victims & Practitioners (1989;
255p.). That’s right, practitioners! Perhaps a commission is will be
forthcoming. Dresser is an expert of sorts on cross-cultural communication,
whose most recent work is Come as You Aren’t!: Feeling at Home with
Multicultural Celebrations (2005). The post 9-11-1 “can you hear me
know?” herald has a rather new twist here. In this section, we see
Vampirism in every aspect of our culture, from movies, music, comics, clubs,
cookbooks forays, adapting codes of ethics, blood-sucking evolutions, “fans”
and “practitioners” to cross-cultural studies and permission-seeking
Psy-Vamps. Now see Katherine M. Ramsland’s The Science of Vampires (2002;
276p.) and circuit is complete—science will never be the same.[3] |
|
194 |
21 |
—which they did not—they
would be hard |
—which he did not—he would be hard |
|
194 |
22 |
They
would be hard pressed from the literature itself, especially if they moved past their
teeny |
He would be hard pressed from the literature itself, especially if he moved past his teeny |
|
199 |
b-7 |
which fails in itself, even before |
which fail, even before |
|
204 |
23 |
Square and Compasses is on the loose |
Square and Compasses on the loose |
|
204 |
b-14 |
Contrary to anti-Masons
boogey-boogey man |
Contrary to the anti-Masons' boogey-boogey man |
|
207 |
19 |
[New Line] |
Insert new line where indicated: |
|
209 |
12 |
and purposefully capitalized
upon |
and purposefully capitalizing upon |
|
209 |
21 |
freedom of conscience themselves. |
freedom of conscience. |
|
209 |
b-5 |
the innocent—that normal |
the innocent—to a normal |
|
210 |
16 |
profit more than from lessons |
profit more from lessons |
|
213 |
b-8 |
leaders that help make the SBC |
leaders that helped make the SBC |
|
213 |
b-5 |
likes of which has hardly been
repeated. |
likes of which have hardly been repeated. |
|
213 |
b-3 |
and add short list |
and add a short list |
|
215 |
b-10 |
1993 Original |
1993 Original |
|
216 |
b-6 |
Paganism itself, which is kind of
odd |
Paganism itself is odd |
|
217 |
b |
[Add new section at
bottom of page] |
Add new section
where marked in book, from disk file 00_Real_Franky_Section_Insert.htm to the bottom of page with endnotes placed accordingly, as
indicated in example (notice block quote is followed by non-indented
paragraph): G.
The Real Frankenstein—by Mary Shelley (1797-1851)
Mary Wollstonecraft
Shelley (1797-1851) was the daughter of William Godwin (1756-1836), author of Political Justice, and grew up in
a household where several significant philosophers crossed paths with her
father.[4] She wrote the original Frankenstein,
or, The Modern Prometheus in 1818, anonymously as a young woman of only 21,
her husband Percy crafting the delicate preface of the story’s origin in
Geneva in the winter of 1816 in the company and challenge of Lord Byron. Shelley
finely tuned the work in 1831, crafting a longer and delicate
preface of her own. A best seller and one of the first in the Gothic genre,
her Frankenstein became a monumental piece of literature on human
conflict still researched today, her monster becoming the most famous
monster of all time.[5] In her 1831 preface, on
the task of Dr. Victor Frankenstein, Shelley recounted from her vivid dreams
how she came upon the story, how she began to see the doctor as the “pale
student of unhallowed arts kneeling beside the thing he had put together”;
then with a delicate and precise sensitivity to human frality, Shelley said, I saw the hideous phantasm of a man stretched out, and then on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavor to mock the stupendous mechanism of the Creator of the world. His success would terrify the artist; he would rush away from his odious handywork, horror-stricken. He would hope that left to itself, the slight spark of life which he had communicated would fade; that this thing, which had received such imperfect animation, would subside into dead matter.[6] What classic and literary artistry—here even Dr. Frankenstein sees his mistake. The more famous and visual
20th century representation—and character—came in the 1931 classic
movie adaptation and departure from Shelley, Frankenstein, which
starred Boris Karloff as a slow, nearly mute, clunky hulk.[7] Who has not seen
the movie? The now classic spoof, Mel
Brook’s Young Frankenstein, starred Gene Wilder as the younger
scientist ashamed of his grandfather’s work while lampooning nearly every
element of the 1931 classic.[8] There have been other
adaptations in movies and plays, some departing and some trying to follow
Shelley, and a few more lampoons.[9] Compare Shelley’s Frankenstein
and her literary skill with the anti-Mason work, and the Frankenstein monster
is more human, less prejudice, more studious and delicately
conscientious—even more moral at the start. Shelley’s monster read more books
than SBC expert Bill Gordon used in his Closer Look; the real
Frankenstein more well read and literate than the SBC expert! Shelley’s Frankenstein character is one of the great paradoxes in fiction literature, for he is more human and emotionally adaptive than his creator. Shelley’s Frankenstein finds himself in the woods coming to his physical senses slowly, as his sight, hearing, and hunger force him to adjust to the wildness of 19th country life. Finding a hovel behind a lonesome cottage, he begins to spy on the human occupants, and he learns from them, eventually falling in love with them and their winsome ways. He learns their language piece meal, and then longs to reveal himself to his “friends.” He is agile, big, strong, and nearly indestructible, only more ugly and lonely than the devil (for even the devil has his fellow demons). Shelley’s Frankenstein has a brain and can stand on his own two feet. When we come to his narrations in the book, he is more educated, articulate, and attractive than anything the anti-Masons have created. The real Frankenstein studied both books and people, was artful, self-aware, and ever-so-generous careful of human feeling; he wants with all of his heart to talk to people, to befriend. Shelley’s masterpiece, Frankenstein,
was study in character counting most of all: the monster diligently and from
the bottom of his heart studied the character of the persons inhabiting
his new world, even turning from virtue to vice as he emulated their hatred,
ever so delicately hoping to find an honest relationship on earth, turning to
extortion of his creator in order that his creator would make another
creation, even bride, another like himself to avert his lonely destiny. The monster sought love. In the book, the monster
is never named, starts out as virtuous as an angel, and becomes monstrous
right along with Victor Frankenstein as they both learn to hate and seek
vengeance. As Shelley weaved her tale, the lonely character of the
monster—that we now call Frankenstein—incurred hatred because of his outward
appearance while no one seemed interested in his heart, not even his creator.
Unlike the 1931 Karloff movie, Shelley’s monster grieved over the death of
his creator, lived on, and departed into isolation, vowing never to be beheld
again by human eyes. Without saying so, one of
the great literary elements in Shelley’s masterpiece is that the real
monsters were those engulfed in their own prejudices, afraid, and practically
unable to seek out the truth. How true it is that great ignorance often
breeds great hate, and few things are more illustrative of that
ignorance-inspired hate than the anti-Mason Frankenstein concoctions—as least
in the light. Toward the end, heeding
Dr. Victor Frankenstein’s warnings about the monster’s “powers of eloquence
and persuasion,” a grieving friend heaved “Hypocritical fiend!” toward the
monster, degrading the monster’s grief over the death of his creator. At
that, the monster recalled his days of virtue and longing for affection,
which had become a “shadow” and which had turned “into bitter and loathing
despair.”[10] The monster lamented and
poured forth near poetic remorse of soul from his own departure from a
virtuous life, his total rejection by humans, his isolations to date, and
forlorn over his isolations to come. Therein, we saw more humanness and
genuine self-awareness than anything in the last 100 years of anti-Mason
literature and their Frankenstein concoctions. In the last short sentence of
Shelley’s tale, the ever-so-human creation
leapt out the window, never to be seen again. Many a conscientious reader
leaves the story wondering just who the real monster was. We pity Frankenstein, the
loneliest creature in literary history. |
|
219 |
8 |
how have anti-Masons missed
this |
how anti-Masons have missed this |
|
223 |
19 |
Why not Bill Gordon. |
Why not Bill Gordon? |
|
223 |
23 |
dealt with upside-down
5-pointed star |
dealt with the upside-down 5-pointed star |
|
227 |
1 |
We need for more than |
We need far more than |
|
227 |
2 |
scholars was really |
scholars were really |
|
227 |
10 |
church has based upon a lie. |
church has been based upon a lie. |
|
227 |
13 |
true version Christianity, |
true version of Christianity, |
|
227 |
17 |
seems to be a evangelical |
seems to be an evangelical |
|
227 |
4 |
if not simply a fraudulent. |
if not simply fraudulent. |
|
228 |
b-18 |
Golden Ration |
Golden Ratio |
|
230 |
b-7 |
hard time, even when |
hard times, even when |
|
231 |
15 |
earned deserve much better |
earned it deserve much better |
|
234 |
2 |
But Bill Gordon away with |
But Bill Gordon sliced away with |
|
239 |
9 |
supporters makes public Pagans |
supporters make public Pagans |
|
243 |
b-2 |
Barton is not an open anti-Mason—not out of the closet yet—and he has not made |
Barton became an open anti-Mason after he made |
|
243 |
b-1 |
But Barton |
Barton |
|
244 |
14-15 |
<
insert new paragraph between 14-15 > |
See 12.D's deconstruction of Barton's new anti-Mason book. |
|
244 |
15 |
ignore (even as Barton ignores), but the scant |
ignore, but the scant |
|
246 |
3 |
Morey above may be too—in the |
Morey above may have been—in the |
|
247 |
18 |
Ankerberg talk about Christ
24/7 or witness |
Ankerberg talks about Christ 24/7 or witnesses |
|
251 |
b-19 |
into some symbols Paganism that
no one |
into some symbols a Paganism that no one |
|
251 |
b-13 |
all of their own occulting. |
all of their occulting. |
|
252 |
19 |
Free--mason [en-dash needs to be simply hyphen] |
Free-mason |
|
255 |
19 |
those they slay slander. |
those they slander. |
|
255 |
20 |
good sense at several levels. |
good sense on several levels. |
|
258 |
10 |
why doe the |
why does the |
|
259 |
b-14 |
him. Barton does not |
him. In his Original Intent, Barton does not |
|
259 |
b7 |
<
insert new paragraph between b-7 & b-8 > |
See 12.D's deconstruction of Barton's new anti-Mason book. |
|
262 |
b-3 |
grapple with for faint of
heart, |
grapple with for the faint of heart, |
|
274 |
12 |
And character counts is tossed |
And character counting is tossed |
|
275 |
b-15 |
and heaven itself, one needs |
and heaven, one needs |
|
275 |
b-7 |
clearly that some not all |
clearly that not all |
|
277 |
b-10 |
include many full color photos: |
include many full-color photos: |
|
286 |
1 |
David Barton indicated Franklin's |
David Barton in his Original Intent indicated Franklin's |
|
287 |
5 |
belief, which shall be forthcoming. Ironic |
belief, as in chart 5 above and more below. Ironic |
|
290 |
17 |
than the sign of the cryptic sign of the fish. |
than the cryptic sign of the fish. |
|
292 |
8 |
Baptists—no matter how |
Baptists. No matter how |
|
293 |
17 |
Fellowcraft place them, |
Fellowcraft places the stone, |
|
296 |
1 |
earned
degrees from |
degrees from |
|
298 |
8 |
football games than
church |
football games more than church |
|
298 |
12 |
That true for most SBC |
That is true for most SBC |
|
298 |
b-17 |
by his fraternity |
by their fraternity |
|
298 |
b-4 |
still ancient |
still ancient |
|
300 |
b-5 |
Christian values too, only made all the |
Christian values, made all the |
|
302 |
22 |
It malignant slander |
It is malignant slander |
|
311 |
17 |
wide-eyed with smile, and |
wide-eyed with a smile, and |
|
313 |
9 |
It is to slosh paint with
a real paint brush, |
It is easier to slosh paint with a real paint brush, |
|
314 |
21 |
follow through with to completion. |
follow through to completion. |
|
316 |
6 |
secretive eye-brow-raisings
among |
secretive eyebrow raisings among |
|
318 |
b-18 |
God's inerrant and completed
canon |
God's authoritative and completed canon |
|
319 |
b-2 |
ridicule—we seen a lot |
ridicule—we have seen a lot |
|
321 |
20 |
very precious them. |
very precious to them. |
|
322 |
b-9 |
Portrayals too—by
Patterson, Gordon, and Holly too—childish |
Portrayals—by Patterson, Gordon, and Holly, among others—childish |
|
323 |
b-16 |
theological profession—in |
theological professions—in |
|
323 |
b-6 |
And best of all, |
Best of all, |
|
324 |
b-1 |
though at struggle to trust
that is. |
though what a struggle to trust that is. |
|
325 |
16 |
All of anti-Mason's hullabaloo |
All of the anti-Masons' hullabaloo |
|
325 |
b--5 |
any other in Baptist history, |
any other split in Baptist history, |
|
325 |
3 |
analysis in an SBC school. |
analysis in a SBC school. |
|
331 |
b-6 |
prison regulation from given
that |
prison regulations from giving that |
|
332 |
27 |
justice; three theological virtues
of faith, hope, and love; and all those |
justice; through three theological virtues of faith, hope, and love; and through all those |
|
334 |
b-5 |
good character live on today. |
good character lives on today. |
|
337 |
1 |
in that since Washington |
in that sense Washington |
|
338 |
24 |
eight years" and "His
Excellency" became |
eight years," and "His Excellency" became |
|
343 |
2-3 |
As shall indicate more fully,
Freemasonry |
As we shall indicate more fully, the Freemasonry |
|
345 |
1 |
As we look a portion |
As we look at
a portion |
|
345 |
28 |
and as a
long-time |
and a long-time |
|
345 |
34 |
Texas (1964-1965 and in 1979 |
Texas (1964-1965) and in 1979 |
|
348 |
20 |
presidents together .
Most |
presidents together. Most |
|
348 |
b-12 |
SBC Seminary presidents and
theologians in the history of the SBC |
SBC Seminary president and theologian in the history of the SBC |
|
348 |
b-7 |
today sits a presidential
successor |
today sits as presidential successor |
|
350 |
1 |
Hobbs retooling, |
Hobbs' retooling, |
|
353 |
23 |
And
Truett's passing made history too. |
The mourning of Truett made history. |
|
362 |
6 |
I truly do not of know of a man |
I truly do not know of a man |
|
362 |
17 |
the the
slandered |
the slandered |
|
362 |
b-12 |
blood kinship, and we have just started our beating. |
blood kinship. |
|
363 |
b-8 |
together a small Freemasonry |
together a Freemasonry |
|
364 |
1 |
And
Tresner was one |
Tresner was one |
|
364 |
5 |
Bill Gordon avoided this book |
Bill Gordon avoided that book |
|
364 |
7 |
deHoyos |
DeHoyos |
|
370 |
18 |
Gordon become
a first-rate |
Gordon becomes
a first-rate |
|
374 |
b-2 |
are some things are common |
are some things common |
|
377 |
b-15 |
define Paganism |
define the Paganism |
|
377 |
b-9 |
Here something from a respected
world renown |
Here is something from a respected world-renown |
|
381 |
b-6 |
be in great of disfavor |
be in great disfavor |
|
383 |
b-13 |
(1771-1852) Philadelphia |
(1771-1852) in Philadelphia |
|
383 |
b-3 |
call Freemasonry an
Universalism |
call Freemasonry a kind of Universalism |
|
385 |
2 |
original intent of our
Constitution. |
original intent in our Constitution. |
|
386 |
26 |
fewer than Barton betray. |
fewer than Barton betrayed. |
|
386 |
27 |
in church in than any president in the last 100 years,
perhaps more active than U.S. president in history. |
in church than any president in the last 100 years, perhaps more active than any U.S. president in history. |
|
387 |
21 |
this country as a evangelically
Christian |
this country as an evangelically Christian |
|
388 |
26 |
led the Revolutionary through |
led the Revolution through |
|
388 |
b-14 |
,that
His benediction [misplaced
comma] |
that His benediction |
|
388 |
b-4 |
after of Barton's quote |
after Barton's quote |
|
391 |
b-8 |
no SBC president will get elected today who has not |
no SBC president in the last 20 years has gotten elected who has not |
|
391 |
b-5 |
The SBC is a tightly controlled fraternity now, and |
The SBC has been a tightly controlled fraternity, and |
|
391 |
b-5 |
controlled fraternity now, and that is no secret |
controlled fraternity, and that is no secret |
|
393 |
24 |
Freemasonry and Enlightenment |
Freemasonry and the Enlightenment |
|
393 |
b-15 |
the Freemasonry ten legions |
the Freemasonry of ten legions |
|
394 |
24 |
That is so very square and level. |
That is square and level. |
|
395 |
12 |
some of troops at Valley Forge,
|
some of the troops at Valley Forge, |
|
395 |
b-16 |
17th and 18th century had |
17th and 18th centuries had |
|
395 |
b-9 |
witnessing Christian and say
grace at |
witnessing Christian who says grace at |
|
397 |
b-16 |
is wrong: Christian is not |
is wrong: a Christian is not |
|
397 |
b-9 |
jailed Baptist, and would |
jailed Baptists, and would |
|
401 |
b-14 |
oath required by Founding
Fathers |
oath required by our Founding Fathers |
|
402 |
5 |
white-hot fires oppressive and
bloody |
white-hot fires of oppressive and bloody |
|
406 |
17 |
Founding Era in American and
Europe? |
Founding Era in America and Europe? |
|
406 |
b-9 |
Barton's occults that since
1717, |
Barton's occults that, since 1717, |
|
407 |
20 |
public knows that they |
public know that they |
|
408 |
20 |
Because Barton too like to
tantalize his readers |
Because Barton, too, likes to tantalize his readers |
|
410 |
2 |
but there are perhaps each |
but perhaps each |
|
410 |
20 |
that millions Christian
Freemasons |
that millions of Christian Freemasons |
|
411 |
14 |
Who is Barton writing
too? |
Who is Barton writing to? |
|
413 |
17 |
like the story, . If that
person |
like the story, if that person |
|
414 |
b-19 |
but cunningly leaves them out. |
but cunningly left them out. |
|
415 |
4 |
Freemasonry is all over the
colonies |
Freemasonry was all over the colonies |
|
417 |
13 |
Look at his posters too. Barton's magnifies |
Look at his posters. Barton magnifies |
|
418 |
3 |
Just like all tall tale hunting |
Just like all tall-tale hunting |
|
421 |
17 |
only a few, but only a
yokeless |
only a few, but is only a yokeless |
|
422 |
4 |
others not-so-God-fearing like |
others not so God fearing like |
|
422 |
15 |
That the lodge was a
church [no ? at end] |
That the lodge was a church? |
|
424 |
b-8 |
the admission that here were no
extent |
the admission that there were no extent |
|
424 |
b-4 |
miniscule 188 Barton gives. |
miniscule 188 Barton gave. |
|
425 |
23 |
slyly serve his establishment agenda |
slyly serves
his establishment agenda |
|
431 |
2 |
Even the architects who planed
Washington, |
Even the architects who planned Washington, |
|
431 |
8 |
the 18th ethos |
the 18th century ethos |
|
432 |
20 |
David Barton?. He |
David Barton? He |
|
432 |
27 |
of Grand Lodge of
Massachusetts, |
of the Grand Lodge of Massachusetts, |
|
432 |
b-7 |
good men stand around them. |
good men standing around them. |
|
437 |
b-6 |
a Christian too, of a sort and
not like |
a Christian, but of a sort not like |
|
438 |
b-19 |
Patterson and small a elite group |
Patterson and a small elite group |
|
439 |
11 |
Washington D.C., the dollar |
Washington, D.C., the dollar |
|
439 |
b-14 |
Washington, D.C. today,
precisely |
Washington, D.C., today, precisely |
|
456 |
13 |
Do you known anyone? |
Do you know anyone? |
|
463 |
1 |
many such consecrations
ceremonies |
many such consecration ceremonies |
|
465 |
7 |
1690, and revised |
1690, and he revised |
|
465 |
8 |
The first, Locke assails |
In the first, Locke assails |
|
465 |
10 |
Locke he defends the best
liberty and equality |
Locke defends how liberty and equality |
|
465 |
14 |
who defended Hooker defended Reformation
settlements and constitutionalism while living under a monarchy, but Hook not
the defend the divine |
who defended Reformation settlements and constitutionalism while living under a monarchy, but Hook did not defend the divine |
|
466 |
11 |
values of equality and liberty as well. |
values of equality and liberty. |
|
474 |
20 |
influential pronouncement of
modern |
influential pronouncements of modern |
|
477 |
b-14 |
the commoners, and the leaders
responded. |
the commoners of the first estate (not from the European first or second estates), and the leaders responded. |
|
477 |
b-8 |
no need for him to mention
Jacob or any other Freemasonry research for
the matter. |
no need for him to mention Jacob. |
|
478 |
17 |
Freemasonry too boot. |
Freemasonry to boot. |
|
478 |
b-2 |
in the 17th century, including the Britain, France Europe, the occidental west, western hemisphere |
in the 18th century, including England, France Europe, and the western hemisphere |
|
479 |
1 |
California with Gold Rush. |
California with the Gold Rush, only character counting is vastly more valuable than mountain born gold. |
|
479 |
21 |
There are levels of validation too. |
There are levels of validation. |
|
479 |
b-8 |
original intent of our U.S.A. Constitution |
original intent of our beloved Constitution |
|
480 |
3 |
church and foster character
counting too under God. |
church and fosters character counting, both under God. |
|
480 |
7 |
James L. Holly . You see |
James L. Holly. You see |
|
480 |
12 |
Freemasonry membership. |
Freemasonry membership in his Original Intent. |
|
481 |
5 |
deprecating Freemasonry; Barton
ran |
deprecating Freemasonry in his Original Intent; Barton ran |
|
483 |
4 |
Jacob and Bullock; that is, if |
Jacob and Bullock, that is, if |
|
488 |
20 |
shining plumage of the unique |
shining plumage the unique |
|
492 |
2 |
politics—that even |
politics—so that even |
|
494 |
17 |
Baptists were there from the beginning too. |
Baptists were there from the beginning. |
|
494 |
b-10 |
menacing church-state coalitions that
was the |
menacing church-state coalition that was the |
|
494 |
b-2 |
men—Christian too— |
men—many Christian— |
|
494 |
b-1 |
(non-Christian men follow and help lead too); |
(non-Christian men follow and help lead as well); |
|
495 |
6 |
of the time—certainly tractable |
of the time—yet a little tractable |
|
495 |
26 |
What church did he belong too? |
What church did he belong to? |
|
495 |
b-9 |
good name was more important |
good name were more important |
|
495 |
b-8 |
would come to play there too, but that |
would come to play there, but that |
|
502 |
b-2 |
The creaking cracks in dock makes one
quiver. |
The creaking cracks in dock make one quiver. |
|
505 |
12 |
tree of freedom and that |
tree of freedom, and that |
|
505 |
b-4 |
grew rapidly after 1715. |
grew rapidly after 1717. |
|
516 |
3 |
if you doubt—the Bible too.
And therefore in our |
if you doubt—and read Bible. Therefore, in our |
|
518 |
b-15 |
Franklin was probably a Mason at that time, yet is it clear that Franklin |
Franklin was a Mason at that time, yet it is clear that Franklin |
|
520 |
6 |
even pledging the sacred honor. |
even pledging their sacred honor. |
|
522 |
5 |
and many others too and many followed. |
and many others followed. |
|
525 |
4 |
See the
appendix 7 for |
See the appendix 7 for |
|
525 |
9 |
fraternity turn freedom of
conscience, |
fraternity turn on, cultivate, and birth freedom of conscience, |
|
525 |
14 |
occulting of character needs to stop.
|
occulting of character need to stop. |
|
525 |
28 |
would the tree liberty and equality |
would the tree of liberty and equality |
|
526 |
b1 |
human freedoms if the ability |
human freedoms is the ability |
|
527 |
24 |
believing in right of kings |
believing in the right of kings |
|
527 |
b-4 |
And in 1789, God |
In 1789, God |
|
530 |
b-1 |
Religious Right blows apart upon |
Religious Right blow a part upon |
|
532 |
10 |
God helped us—the people—take
a step up, the commoners too. |
God helped us—the people, the commoners—to take a step up. |
|
537 |
20 |
what they
deeds they did, |
what deeds they did, |
|
543 |
19 |
their original intent that our
precious |
their original intent in our precious |
|
543 |
25 |
character need to stop. |
character needs to stop. |
|
550 |
b-1 |
we need dearly want freedom |
we need and dearly want freedom |
|
551 |
20 |
1700's? |
1700s? |
|
551 |
b-3 |
silly. George Washington and George
W. Truett dupes? And, then, are they the
great discoverers |
silly. Are George Washington and George W. Truett dupes? And, then, are the anti-Masons the great discoverers |
|
553 |
1 |
ugly sentence makes friends with |
ugly sentence in his Original Intent makes friends with |
|
554 |
20 |
accepted on playing field of |
accepted on the playing field of |
|
560 |
17 |
them and nobility of Freemasonry |
them and the nobility of Freemasonry |
|
585 |
2 |
catered his kindness and intelligence
and dedication, even reflecting on the humor of it all so far. Hoping it would |
catered his to kindness and intelligence and dedication, even reflecting on the humor of it all so far, hoping it would |
|
585 |
b-6 |
then he would never had received my
last |
then he would not have received my last |
|
619 |
12 |
James L. Holly's profusely and sloppily attacks |
James L. Holly sloppily attacks |
|
620 |
30 |
HMB's determine to stir the negative
caldron. |
HMB's determination to stir the negative caldron. |
|
623 |
17 |
malignantly deceptive too boot. |
malignantly deceptive to boot. |
|
623 |
b-12 |
believe the best, hope for the best. |
believe the best and hope for the best. |
|
624 |
15 |
distill all of categories |
distill all of the categories |
|
625 |
17 |
and pump real iron of research |
and had pumped the real iron of research |
|
628 |
23 |
except just for funning lampoon. |
except for funning lampoon. |
|
631 |
b-3 |
[New text line] |
Insert following text from file
00_Section_06_Nelson_Insert, on page 631 where marked, noting that first word
is in bold (make like rest of bibliography text): King, Nelson. Confessions of a Born Again Fundamentalist Freemason. Highland Springs, VA: Anchor Communications, 2000; 150p. Editor of The Philalethes: Journal of Masonic Research and Letters, www.freemasonry.org, writes about craft history, integrity, and challenges Masons to a higher standard. |
New
Index Entries |
||
In-Text Entries |
New Index Entries |
|
New Index Entries from Text
Already in Book |
Page |
|
whipping boy |
whipping boy |
several |
whipping boy |
whipping boy, Bill Gordon |
70 |
Bill Gordon becomes our whipping boy |
Gordon, Bill, our whipping boy |
70 |
A wimpy coward |
Gordon, Bill, a coward |
70 |
cowardly |
cowardly |
several |
Rubber Duck |
Rubber Duck |
145 |
yellow Rubber Duck |
Rubber Duck, yellow |
145 |
yellow Rubber Duck |
yellow Rubber Duck |
145 |
Devil Duckie |
Devil Duckie |
146 |
Occupational Ducks |
Occupational Ducks |
146 |
Occupational Ducks |
Rubber Ducks, Occupational |
146 |
Occupational Ducks |
Rubber Ducks, Devil Duckie |
146 |
Pirate Ducks |
Rubber Ducks, Pirate Ducks |
146 |
Pirate Ducks |
Pirate Ducks |
146 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
New Text & Index Entries
Reflected in Above Corrections |
||
In-Text Entries |
New Index Entries |
|
whipping boy in The Prince and the Pauper by Mark Twain |
whipping boy in The Prince and the Pauper by Mark
Twain |
|
whipping boy in The Prince and the Pauper by Mark Twain |
Prince and the Pauper’s whipping boy in Mark Twain |
|
whipping boy in The Prince and the Pauper by Mark Twain |
Twain, Mark, The Prince and the Pauper and whipping
boy |
|
Pirate Rubber Duck going around the world |
Pirate Rubber Duck going around the world |
|
Pirate Rubber Duck going around the world |
Rubber Duck, Pirate Rubber Duck going around the world |
|
Joyce Carol Oates |
Oates, Joyce Carol |
|
Sir Walter Scott |
Scott, Sir Walter |
|
Lord Byron |
Byron, Lord |
|
Hope, Jeannie |
Hope, Jeannie |
|
Robert M. Bowman |
Bowman, Robert M. |
|
William Godwin |
Godwin, William |
|
Bysshe Percy Shelley |
Shelley, Bysshe Percy |
|
Richard Hengist Horne |
Horne, Richard Hengist |
|
Brian R. Dodson |
Dodson, Brian R. |
|
Nelson King |
King, Nelson |
|
Philalethes: Journal of Masonic Research and Letters |
Philalethes: Journal of Masonic Research and Letters, The |
|
Confessions of a Born Again Fundamentalist Freemason |
Confessions of a Born Again Fundamentalist Freemason |
|
Johanna M. Smith |
Smith, Johanna M. |
|
Horace Walpole |
Walpole, Horace |
|
Castle of Otranto: A Gothic Story |
Castle of Otranto: A Gothic Story |
|
Walter James Miller |
Miller, Walter James |
|
History Channel |
History Channel |
|
Rome of Vampires |
Rome of Vampires |
|
Rome of Vampires |
Vampires, Rome of |
|
Vampire code of ethics |
Vampire code of ethics |
|
Psychic Vampires |
Psychic Vampires |
|
Psychic Vampires |
Vampires, Psychic and Psy-Vamps |
|
Psy-Vamps |
Psy-Vamps |
|
Michelle A. Belanger |
Belanger, Michelle A. |
|
Psychic Vampire Codex: a Manual of Magick and Energy Work |
Psychic Vampire Codex: a Manual of Magick and Energy Work |
|
Robert C. Welch |
Welch, Robert C. |
|
Vampire Almanac |
Vampire Almanac |
|
Norine Dresser |
Dresser, Norine |
|
American Vampires: Fans, Victims & Practitioners |
American Vampires: Fans, Victims & Practitioners |
|
Come as You Aren’t!: Feeling at Home with Multicultural Celebrations |
Come as You Aren’t!: Feeling at Home with Multicultural Celebrations |
|
Katherine M. Ramsland |
Ramsland, Katherine M. |
|
Science of Vampires |
Science of Vampires |
|
Science of Vampires |
Vampires, Science of |
|
Harold Bloom |
Bloom, Harold |
|
Richard J. Anobile |
Anobile, Richard J. |
|
Michael Gamer London |
London, Michael Gamer |
|
Robert De Niro |
De Niro, Robert |
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Francis Edwards Farough |
Farough, Francis Edwards |
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James Whale |
Whale, James |
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David Wickes |
Wickes, David |
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Francis Ford Coppola |
Coppola, Francis Ford |
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Boris Karloff |
Karloff, Boris |
|
Colin Clive |
Clive, Colin |
|
Garret Fort |
Fort, Garret |
|
Fred Carmichael |
Carmichael, Fred |
|
Frankenstein, or, The Modern Prometheus |
Frankenstein, or, The Modern Prometheus |
|
Mary Wollstonecraft Shelley (1797-1851) |
Shelley, Mary Wollstonecraft (1797-1851) |
e-mail me
mgmaness@earthlink.net
Thanks to all of you for the help to date
[1] Mark Twain (1835-1910), The Prince and the Pauper,
A Tale for Young People of All Ages (Montreal: Dawson Brothers, 1881;
278p; version by Dover Pub., 2000;
153p; version with Suzanne Fisher Staples; 1st Aladdin ed.; NY: Aladdin
Paperbacks, 2006); Compact Edition of the Oxford English Dictionary (Oxford:
Oxford Univ. Press, 1979 [1st 1971]): s.v., “whipping boy,” original usuage; Webster’s
Ninth New Collegiate Dictionary (1989): s.v., “whipping boy,” second modern
definition, “scapegoat.”
[2] See www.flickr.com/groups/piraterubberduckie.
[3] Michelle A. Belanger, The Psychic Vampire Codex: a Manual of Magick and Energy Work (Boston, MA: Weiser Books, 2004; 284p.); Norine Dresser, American Vampires: Fans, Victims & Practitioners (NY: Norton, 1989; Vintage Books, 1990; 255p.); Dresser, comp., Our Own Stories: Cross-Cultural Communication Practice (White Plains, NY: Longman, 1993; 160p.), Dresser, Come as You Aren’t!: Feeling at Home with Multicultural Celebrations (NY: M. Evans and Co., 2005); Dresser, comp., Our Own Stories: Cross-Cultural Communication Practice (White Plains, NY: Longman, 1993; 160p.); Katherine M. Ramsland, The Science of Vampires (NY: Berkley Boulevard Books, 2002; 276p.), and Robert C. Welch, Vampire Almanac (Illustrated by Steve Feldman; NY: Random House; 1995; 64p.)
[4] William Godwin, An Enquiry Concerning
Political Justice, and Its Influence on General Virtue and Happiness
(London: G.G.J. and J. Robinson, 1793; 2 vols.); see also a version,
photographic facsimile of the 3d ed., corr. and ed., with variant readings of
the 1st and 2d editions and with a critical intro and notes by F. E. L.
Priestley (Univ. of Toronto Press, 1946; 3 vols.) and and a version edited and
abridged by Raymond A. Preston (NY: A.A. Knopf, 1926; 2 vols.).
[5] Mary Wollstonecraft Shelley (1797-1851), Frankenstein,
or, The Modern Prometheus: the 1818 Text in Three Volumes (illustrated by Barry Moser and afterword by Joyce
Carol Oates; Berkeley: University of California Press, 1984;
254p.); Frankenstein: Complete, Authoritative Text with Biographical,
Historical, and Cultural Contexts, Critical History, and Essays from
Contemporary Critical Perspectives (edited by Johanna M. Smith. 2nd Ed. Boston: Bedford/St. Martin’s, 2000; 470p.); Frankenstein
(edited, with variant readings, introduction, notes by James Rieger; Chicago; London: University of Chicago Press, 1982;
287p.); Frankenstein (supplemental material written by Margaret Brantley and edited by
Brantley Johnson; NY: Pocket Books, 2004; 322p.); Frankenstein (foreword
by Walter James Miller and an afterword by Harold Bloom; NY: New American Library, 2000, and Chelsea House,
2004; 212p.); Frankenstein (essays and poems from the 20th century;
Washington, D.C.: Orchises, 1988; 239p.); Frankenstein (edited by
Richard J. Anobile; NY: Universe Books, 1974; 256p.; Consists of
illustrations from the motion picture, Frankenstein); Readings on
Frankenstein, ed. Don Nardo (San Diego,
CA: Greenhaven Press, 2000; 160p.); CliffsNotes Shelley’s Frankenstein (by
Jeff Coghill; Foster City, CA: IDG Books Worldwide, 2000); and
Stephen C. Behrendt and Anne K.
Mellor, eds., Approaches to Teaching Shelley’s Frankenstein (NY: Modern
Language Association of America, 1990). See also the contemporary reviews of
Sir Walter Scott, “Remarks on Frankenstein: or, The Modern
Prometheus: A Novel” Blackwood’s Edinburgh Magazine 2 (1818); her
husband’s comments, Percy Bysshe Shelley, “On Frankenstein” The Athenaeum Journal of
Literature, Science and the Fine Arts (Nov., 10, 1832); Richard Hengist
Horne, “Mrs. Shelley,” in A New Spirit of the Age (London:
Smith, Elder, 1844).
[6] Shelley, Frankenstein (Enriched Classic,
supplemental material written by Margaret Brantly; NY: Pocket Books, 2004;
324p.): 282-283.
[7] Frankenstein (Universal Pictures, 1931;
starring Colin Clive, Mae Clarke, John Boles, Boris Karloff [monster],
Edward Van Sloan; produced by Carl Laemmle, Jr., screenplay by Garret Fort and Francis
Edward Farragoh, adaptations by John Balderston, director James Whale; 75th Anniversary Edition by Universal Legacy Series,
DVD Color, Dolby, Full Screen, Subtitled, NTSC , English DVD release 2006).
[8] Young Frankenstein (20th Century Fox,
1974; director Mel Brooks; starring Gene Wilder, Peter Boyle, Marty Feldman,
Madeline Kahn, Cloris Leachman, Teri Garr; 106 minutes). Amazon.com commentator
said: “Mel Brooks’s Young Frankenstein ranks among the top-ten funniest movies
of all time, nobody could reasonably dispute the claim. Spoofing classic horror
in the way that Brooks’s previous film Blazing Saddles sent up classic
Westerns, the movie is both a loving tribute and a raucous, irreverent parody
of Universal's classic horror films Frankenstein (1931) and Bride of
Frankenstein (1935). Filming in glorious black and white, Brooks re-created
the Frankenstein laboratory using the same equipment from the original
Frankenstein (courtesy of designer Kenneth Strickfaden), and this loving
attention to physical and stylistic detail creates a solid foundation for
nonstop comedy. The story, of course, involves Frederick Frankenstein (Gene
Wilder) and his effort to resume experiments in re-animation pioneered by his
late father. (He’s got some help, since dad left behind a book titled How I Did
It.). Assisting him is the hapless hunchback Igor (Marty Feldman) and the buxom
but none-too-bright maiden Inga (Teri Garr), and when Frankenstein succeeds in
creating his monster (Peter Boyle), the stage is set for an outrageous revision
of the Frankenstein legend.”
[9] Including, MOVIES & TELEVISION: Mary
Shelley's Frankenstein (1994 TriStar Pictures & Sony Pictures;
Anamorphic, Closed-captioned, Color, Dolby, Dubbed, Full Screen, Subtitled,
NTSC 123 minutes; produced by Francis Ford Coppola, James V. Hart, John Veitch, screenplay by Steph Lady
and Frank Darabont; starring Robert De Niro, Tom Hulce, Helena Bonham Carter, and Aidan Quinn; sticking close to the original novel, Branagh guides
through the story of Frankenstein’s quest for knowledge, and his creatures
search for his “father”; Frankenstein (London: Pan Books, 1974; director
James Whale, screenplay by Garrett Fort, Francis Edwards Farough; based on the
Shelley’s novel); Frankenstein (Turner Pictures, a Television
production, directed by, executive producer and screenplay by David Wickes; Turner Home Entertainment, 1993; 117 min.; based on
Shelley’s book; starring Patrick Bergin, John Mills, Lambert Wilson, Fiona Gillies, Randy Quaid; music by John Cameron); In Search of History:
Frankenstein (A&E Network, The History Channel, 1997). — MAGAZINE & COMIC: Frankenstein
(NY: Marvel Comics Group., Jan.
1973-Sept. 1975; 18 v., bimonthly); Frankenstein (NY: Dell, 1963-1967; 4
v., Quarterly, superhero-style Frankenstein monster); Frankenstein (Buffalo,
NY: Crestwood Pub. Co., Summer 1945 - Oct./Nov. 1954, bimonthly). — PLAYS: Frankenstein!,
or, A Bolt from the Blue (London: Novello, 1989, 1 score, 32p; a Victorian
melodrama for schools based on Mary Shelley’s book, for narrator, unison voices
and piano, opus 94; words and music by Carey Blyton); Frankenstein (NY: S. French, 1996, 81p.; a
version adapted for the stage by Fred Carmichael of Shelley’s
book); and Frankenstein, a Play in Two Acts (NY: Dramatists Play
Service, 1982, 70p.; by Victor Gialanella adapted from
Shelley’s book).
[10] Shelley, Frankenstein (Enriched Classic,
supplemental material written by Margaret Brantly; NY: Pocket Books, 2004;
324p.): 272-275.